Oils, What’s Not to Like?

Oils. Who loves oils more than those who make soap and body products?

 

Many of us try as many oils as we can get our hands on (or afford), eagerly reading the fatty acid profiles and attributes of each oil while planning which products would be the best use of our precious oils.

 

To be honest, previous to soapmaking and bath and body, I never paid much attention to oil. I’d use it in cooking, but I never wanted it on my skin. Once I began my journey in producing skin products however, I saw oils in a totally different light. Oil was good. It was pure and was beneficial. It nourished my skin and helped me to heal. It had vitamins! Oil was in nearly every product I created, from soap to salves to lotion and more. What’s not to like?

 

And yet, the subject of oils causes a great deal of consternation among soap and bath and body makers. Which oils should I use? Which oils are good for soap or lotion or shampoo or liquid soap? Indeed, there is so much to learn that I feel as if I have only scratched the surface. I think I have a grasp on the breadth of oils available to me and then I hear of another one I never knew existed. Isn’t the continual opportunity to learn what makes this job or hobby so much fun? By the way, for the purposes of this discussion, my use of the term, “oils,” pertains to fats, as well.

 

Consider CP/HP soapmaking, for example. We have a hundred oils we might use, but we need to narrow our choices down to a manageable few. So, what do we choose? For a long time now, I’ve been convinced that if we were to choose our soapmaking oils and fats according to their fatty acid profiles and properties, we’d choose much differently than we often do and would value certain oils more than others because our opinions had no base in cost.

 

Nevertheless, we are usually restricted by price and availability, which may seem like a bad thing, but it isn’t. There is no shame in using inexpensive oils that are easily available. In fact, many would argue that using expensive luxury oils in soap is a waste of money since it’s washed off almost as soon as it’s applied. Others insist that certain oils, albeit pricey, give their soap a luxurious performance that cannot be matched with “everyday” oils.

 

I tend to side with the former, believing that some humble, commonly found oils are actually excellent oils, providing us with lovely soaps to bathe with.  What about you? Do you enjoy using more common, less expensive oils, or are you a person who appreciates oils more when they’re rare and expensive?

 

Either way, it’s a discussion that ends with, oils. . . what’s not to like? Want to learn more? Subscribe to the Saponifier!
 

Until next time, may your days be filled with bubbles and wax.

 

Beth for the Saponifier

Learning the Hard Way

Have you been enjoying your January/February 2014 issue of the Saponifier? Safety and GMP aren’t always the most popular of topics, but I do believe that they are vitally important to the growth and survival of our industry. Many of us only think of safety in regards to soapmaking, and to be sure, sodium hydroxide and potassium hydroxide are dangerous caustics that we need to respect. Nevertheless, it behooves us to be aware of safety precautions in regards to bath and body manufacturing and candle making, as well. I applaud our writers for writing articles that we love to read, but are filled with important information.

 

I know that GMP, standing for, “good manufacturing practice” is another area of concern for those with businesses making soap and bath and body products, so we appreciate Marie Gale’s article, “An Introduction to Good Manufacturing Processes,” introducing us to the topic if we aren’t already familiar.

 

I hope this issue has caused you to review your safety and GMP processes! Share with us what you have learned.

 

If you are as yet not a subscriber of the Saponifier, you can rectify that!  http://saponifier.com/subscriptions/

 

This next story is related to GMP, and my failure to properly institute a process. I recently made a five color, swirled soap. I printed out my formula, prepared my surfaces and molds, measured out my ingredients and mixed my colorants. I proceeded to make my soap and was so pleased with the colors and design. I placed my soap in my properly pre-heated oven for a CPOP (cold process/oven process) batch and congratulated myself on a spectacular session. A short time later, I noticed my carefully measured essential oil still sitting on the counter. My elation turned to despair. It was too late to add the essential oil and even if it weren’t, mixing in the oil would mix all five colors together, producing a soap only a mother of said soap could love. As a result, I have a very pretty batch of soap with no scent.

 

Who hasn’t forgotten their scent at least once? Nevertheless, I learned an important lesson. Had I had my GMP properly in place, I would have a procedure posted that included the exact step of adding my essential or fragrance oil at the right time and thus, would not have missed it. I confess to being too complacent since I print out my formula each time, thinking it’s almost as good. I now know that almost isn’t good enough.

 

Have you begun instituting GMP in your business? Share with us your experiences thus far.

 

Until next time, may your days be filled with bubbles and wax.

 

Beth Byrne for the Saponifier

And the Winners Are. . .

Just in case you hadn’t heard who won in the five categories of our Design Mania Contest, you’ll want to read on.

 

To recap, our July/August issue was entitled, Design Mania, with tutorials on beautiful soap designs, written by some of the best in the business.  Following that, we asked readers to do their best at replicating those designs and then we let you vote on them.  The results were astounding.  Not only were all of the entries spectacular and artfully done, but we were delighted with the world-wide representation among those who entered.  Of our five winners, two were from the UK, one from Ireland, one from Italy and one from the US!  The winners are listen below, in no certain order:

 

 Giustiniano Francioso, Italy, Drop Swirl (tutorial by Celine Blacow).  Guitiniano is rather new at soapmaking, but his talent is remarkable.  He stated, “It’s my first time to take part in a soap challenge and it was really fun! I never expected to be a winner in a section, so I’m surprised and very happy!I’ve been making soap for one year and this kind of swirl is one of my favorites and  easy to create according to my capacities.

I thank the Saponifier that gave me the opportunity to participate and I thank all those who voted for me.  I hope in the future there may be other occasions like this.  Thank you all.”
Tanya Bainbridge, UK, Paint Chip (tutorial by Cathy McGinnis).  Tanya hit this one out of the park and explained, ”A huge thanks to everyone who voted for my soap – such a lovely surprise!  I really enjoyed the idea of the Paint Chip Challenge.  I’d not thought about getting inspiration from a paint swatch before Cathy originally demonstrated it using Design Seeds’ colours, but what a fabulous idea – it’s one I shall continue to go back to.   I love the magic revealed at the cutting, and how the colours swirl and work together.  I found that one of the most challenging things was being able to match the soap colours as closely as possible to the original swatch – lots of tweaking required; oh, and hoping that the soap didn’t set up too quickly while working on the layers (it was somewhat temperamental in this instance!)”
Carma Wood, USA, Squeeze Bottle (tutorial by Michelle Rhoades).  Carma enjoyed replicated Michelle’s design.  She related, “I loved trying this design!  It was a lot of fun and exciting to cut my soap, because I didn’t know exactly what it expect with this design.  Each slice turned out differently, but unique and beautiful :)  Thank you so much for the contest!  I’m so surprised and happy that I won!  Thank you again!”
Rebekkah Hay, UK, Peacock Swirl (tutorial by Amanda Griffin).  Rebekkah won our voting public over with her fabulous rendition of the Peacock.  She exclaimed, “Thank you very much to everyone who voted for me. I feel very blessed and encouraged. I had so much fun trying this technique and am looking forward to learn more.  Thanks again, I will now continue my happy dance.”
Celine Blacow, Ireland, Tiger Stripe (tutorial by Kendra Cote).  If you’ve seen Celine’s handiwork through the photos she posts or her You Tube videos (iamhandmade), you wouldn’t be surprised that she has won a prize in this contest.  Celine happily stated, “ Oh wow!!!  Thank you SO much, I’m really delighted!!”
Be sure to check out these artists’ work here:  http://saponifier.com/vote-design-mania-contest/.  To see the tutorials, you’ll have to purchase the July/August 2013 edition of the magazine:  http://www.etsy.com/listing/157577754/saponifier-back-issue-julyaug-2013?utm_source=connectionwithetsysh&utm_medium=api&utm_campaign=api.  For soap colorants, check out these companies:  www.celestialcolors.com and http://www.elementsbathandbody.com/Colorants-c-274.html.  See Michelle Rhoades site at:  www.mossycreeksoap.com.
Until next time, may your days be filled with bubbles and wax.
Beth Byrne for the Saponifier

Go Forth and Color: Ultramarines and Oxides

 In three installments, we have reviewed the various types of colorants that can be used in soap and bath and body products.  We’ve talked natural colorants, such as spices and herbs, as well as FD&C dyes and micas.

 

Finally, in our series on colorants, we explore ultramarines and oxides.  Many soapmakers think they are “from the earth” natural, but that isn’t quite true, and it’s a good thing!  At one time, these colorants were used, but it was found that they contained contaminants such as arsenic.  Since then, they have been lab-created, free of toxins, to be what is termed, “nature identical.”

 

 Ultramarines and oxides have long been used in soap and cosmetics.  Users like them because they generally remain true to color in products and are inexpensive considering the amounts needed to provide color.  Use a small amount for pastel color and more for intense color.  These are matte colorants.  Mix ultramarines in a bit of water or glycerin before adding them to your soap base and add oxides to a bit of your soapmaking oils before adding them to your base so that they don’t clump or speckle.

 

They are used for mineral makeup and for bath and body products, but again, test them before you sell to make sure you’re product is not oozing color all over the tub, shower and washcloths.  Customers are not generally happy when that happens!

 

Titanium dioxide (TiO2) is often included in this category, but it is unique in that it occurs naturally in minerals and is extracted for use in dozens of applications other than bath and body, from food to siding to paper.

 

Now, you have it.  Go forth and color!

 

Until next time, may your days  be filled with bubbles and wax.

 

Beth Byrne for the Saponifier

The Wonderful World of Colorants: FD&C Colors

This is the third in our series on soap colorants.  We’ve discussed natural colorants and micas; so today, we turn our attention to FD&C colorants.

 

First of all, what does FD&C stand for?  It refers to the FDA’s Food, Drug & Cosmetic approved colorants.  Each color is approved for specific uses and the color title indicates which uses the colorant is appropriate for.  If a color is named, FD&C Red #40, for instance, the product is approved by the FDA for food, drugs & cosmetics.  If it’s labeled D&C Red #34, on the other hand, it’s approved for drugs (used externally) and cosmetics.  Knowing this makes it easy as a formulator to determine which products each colorant may be used in.

 

FD&C colorants:  These are dyes which permeate the product and thus, are likely to bleed in soapmaking.  If your soap is one color, you have no worries.  If you want a distinct pattern, however, you’ll probably be disappointed.  These colors are intense and easy to use, as well as inexpensive, but they don’t always like alkalines, so their use in CP or HP soap is sketchy.  Most manufacturers who sell these also provide or sell charts that instruct how they should be used in soap and other products.  When you see a color followed by a number such as D&C Yellow Number 11, you’ll know this product is a dye.  These colorants, by the way, are often used for melt and pour soaps and other cosmetics, as appropriate, because they color well and reliably; whereas, they are trickier in CP soap.

 

You may have heard the term, “Lake” used in conjunction with colorants.  They are FD&C type colorants, but you will see these labeled like the other FD&C (or D&C) colorants, except for the addition of the metal substrate used.  For example, the additional descriptor, “Aluminum Lake” would be added at the end.

 

As with all colorants, it’s always smart to test colorants out before adding them to large batches of soap or other products!

 

Stay tuned for our final installment, Oxides and Ultramarines.

 

 

PS:  Don’t forget to vote for your favorite design entries in our DesignMania contest!  http://saponifier.com/vote-design-mania-contest/

 

Until next time, may your days be filled with bubbles and wax.

 

 

Beth Byrne for the Saponifier

Coloring Soap and Cosmetics With Mica

Continuing on in our series on soap colorants:

We talked last time about natural colorants such as herbs and purees.  Today, I’d like to talk about man made colorants, specifically micas.

 

If you want strong color, you’ll likely be using micas, FD&C colors, Lakes or pigments.  Therefore, you’ll want to know the differences between them so that you know how to get the result you desire in your soap and avoid disappointment.

 

Micas are lab created versions of natural micas found in the earth plus oxides, etc. added for color.  The mica itself is called “nature identical,” but the added colorants may not be.  They come in every color of the rainbow, and more–shimmer, glitter and metallic types included.  They may be used without caution for melt and pour soap, but might morph or disappear before your very eyes in cold process/hot process soap!  I’ll never forget the green I once added, only to make a lovely purple in my cold process batch.

 

If you’d like to use your micas in CP/HP, be sure to do a bit of research to find out how each one works in soap.  Some vendors offer lists or reviews on how each mica they offer works in soap.

 

Additionally, some micas bleed, while others do not.  If you see a dye in the INCI, it will probably bleed, so use it accordingly.  (Bleeding refers to color migrating into the the rest of the soap, not necessarily on to washcloths, and such)  Micas are a staple in mineral makeup and other body products, but be sure to ask for recommendations and experiment with small batches to make sure the colorant works.  For instance, you don’t want the colorant from bath salts clinging to the tub. I can pretty much guarantee that your customers will not be happy!

 

To add micas to soap, mix directly into soap or into a bit of rubbing alcohol for melt & pour or a small amount of soap that you add to the batch for CP/HP.  Most soapmakers find them quite easy to incorporate.

 

As for makeup and other cosmetics, research the colorant used in your mica to determine whether or not it is an approved colorant for your application.  For instance, green oxide is not permitted in the US for lip colorants.  Each country and the EU has its own standards for colorant use.

 

Next time, we will talk about pigments.

 

Until then, may your days be filled with bubbles and wax.

 

Beth Byrne for the Saponifier

 

PS:  Don’t forget to vote for your favorite design entries in our DesignMania contest!  http://saponifier.com/vote-design-mania-contest/

The Wonderful World of Soap Colorants

Color, color, color!  Although I know that some of you prefer not to add color to your soaps, a great many of you wouldn’t make a batch without.  Why is that?  Is a soap not as good uncolored as it is colored?  Of course it is!  A soap’s performance is not dependent upon color; however, our desire to add color is still important to us and often, to our customers or the recipients of our gifts.  

 

As many soap artisans are truly artists, the appeal of color and design is just too important to bypass and half the fun of making soap is creating colorful designs.  Nevertheless, color isn’t important only to the more fanciful among us, but even to those of us who make simpler, one-colored soaps or other not-so-fancy soaps.  If we’re making soap that smells like the ocean for instance, we want color that is reminiscent of the ocean, and it makes sense that a rosemary mint soap be green.  Moreover, we want our orange scented soap to be. . . well, orange.

 

Even still, many of us are still confused by color.  We don’t know which colorants to use or how to use them properly.  Our colors morph or speckle or disappear.  How do these soapmakers do it, we ask?  Seeing the beautifully swirled and otherwise colored soaps of our sisters and brothers in the soaping world, we know it can be done, but how?

 

I can’t do the topic justice in just a blog post, but the most common colorants for soap are:

1.    Herbs and spices (and other natural sources of color)

2.    Ultramarines & oxides

3.    FD&C

4.    Micas

 

Which one(s) you choose depend upon a few different factors, such as the kind of soap you’re making.  Some colorants that work well in melt and pour soap do not work well under the high pH of cold or hot process soap.  Sometimes, for the effect we want, a bleeding colorant will add to the design; other times, a non-bleeding colorant is imperative.  A number of soapmakers want to use only natural colorants obtained by infusing or powdering herbs, spices and other naturally-derived agents, whether for their properties in the soap for strictly for color.

 

Your first task is to decide what is important to you when choosing colorants.  If bright colors and crisp designs are at the top of your priority list, for instance, choose ultramarines and oxides or micas.  If your desire is beautiful coloring that is easily  mixed into the soap, and you’re making a once-color batch or you want your colors to blend a bit, then FD&C colors are just fine.  If you’re looking for natural colorants, it’s herbs, spices, etc.  Once you decide, you can purchase your colorants and you’re on your way to making colorful soaps.

 

In my next post, I’ll go into more detail about natural colorants.

 

Speaking of color and design, don’t forget to enter our contest!  Details can be found here:   http://saponifier.com/design-mania-contest-submissions/

 

Until next time, may your days be filled with colored bubbles and wax.

 

Beth Byrne for the Saponifier

Design Mania!

By now, we at the Saponifier hope that you have perused and enjoyed this current issue.  We hope that you liked it so much, as a matter of fact, that you’re busily trying all of the lovely soap designs offered.

 

How’s it going?  Are you so pleased with the tutorials and your creations that you’re busting at the seams?  We’re so excited to see what you’ve done that we’re sponsoring a contest we’re calling, Design Mania.  We want you to show off your amazing designs!

 

Here’s how it will work:

 

Submit photos of your best soaps among the tutorials offered in the July/August issue.  You may enter a total of two photos, but they must each be from a different category:

  1. Drop Swirl

  2. Tiger Stripe Technique

  3. Paint Chip Technique

  4. Peacock Swirl

  5. Squeeze Bottle Swirl

You may submit your photos by filling out the form on the website between August 26th and September 9th, 2013.  We will then post your photos on the Saponifier website.  Beginning September 16 and ending September 30, the public will vote on their favorite soap in each category.  The winner from each technique will receive a prize!

 

Note that the form won’t be up on the website until August 26th; so, until then, get soaping and clicking.

 

Until next time,

 

Beth Byrne, for the Saponifier

We Can’t Wait!

We’re so excited about this upcoming issue of the Saponifier!  Due to be released on July 1st, it is our 15th anniversary edition.  To celebrate, we wanted this one to be beautiful, fun and full of design ideas for making cold process soap.  We affectionately call it, “DesignMania.”  Some of the best in the biz are showing off their design tutorials, along with plenty of photos so that you can learn these techniques to try on your own.  Doesn’t that sound like fun?

 

What?  You’re not a subscriber?  You can fix that, you know!  Readers worldwide subscribe to the Saponifier since it’s a digital publication–no shipping to worry about.  You have your magazine right at your fingertips with just a download.  Couldn’t be easier.  If you haven’t subscribed yet, follow this link:  http://saponifier.com/subscriptions/

 

As always, we also feature helpful columnists who teach you, inform you and otherwise help you as a soapmaker, bath & body maker and candle maker.  Melinda Coss is teaching us about balancing design with business, and Marla Bosworth instructs us on writing a business plan.  Yours Truly regaled you with a review of the amazing HSCG conference in Raleigh, NC.  But we also have two new writers.  Sue Finley, our Potpourri column writer and Debbie Sturdevant, our resident herbal expert, who will be sharing with us through her column,  Herbal Wisdom.  Sue is writing about inspiration in soap design and Debbie is revisiting an old favorite, Calendula.  She’s even included a couple of her favorite recipes!

 

Share the fun with us on July 1st.  You know you want to!

 

Until next time, may your days be filled with bubbles and wax.

 

Beth Byrne for the Saponifier

 

PS – Soap designs just beg for a contest.  Stay tuned.  :-)

Creating Your Signature Soap

Creating your own soap formulas; does the very thought appall you or does it excite you?  Perhaps you’re shrugging your shoulders saying, “I do that all the time.”  or “Been there, done that.  I worked and tweaked and found my own formula a long time ago.”  

 

If you identify with the former, read on.  If it’s the latter, well, read on to see if  you agree.

 

My opinion is that every soapmaker should eventually develop her own formula(s).  It’s fine to start out with a well-designed, simple formula, but somewhere along the line, she should become curious about other oils and percentages and manipulating them to create a signature soap that she loves.  Yes, some of us get a bit carried away with this concept and never stop tweaking, but that’s another story for another day.

 

I’ve known soapmakers who enjoy the experimentation part more than any other component of soapmaking.  I’ve also known a few who found a recipe in a magazine twenty years ago and have used that formula since and that one only.  I suppose that isn’t a bad thing as long as it’s a good formula, but you’ll be a more knowledgeable soaper if you step out of your comfort zone and learn more about various oils and methods by doing some research and experimentation.

 

If you’re a brand new soapmaker, by all means, get a good formula, follow the directions, and make soap (after after putting your formula through a lye calculator).  If your first batch turns out well, it will encourage you to keep going.

 

Once you become more familiar with making soap, study various oils to learn more about what they have to offer soap.  Some oils produce lather, some harden the bar and others are skin conditioning.  A balanced bar will include good percentage of each.  From there, you’ll probably look for formulas for specialty soaps, such as facial bars and mechanics soap.  That’s where knowing your oils will come in handy and will save you valuable time and supplies in formulating those bars.

 

After some time and trials, you’ll consider yourself a knowledgeable soapmaker.  You’ll realize how little you knew at the beginning, and even though your soap was good then, you’re just so much smarter now!

 

Have you created your own formulas yet?  Are you fearful of doing so, or have you enjoyed the process?  Share with us what you’ve learned.

 

Until next time, may your days be filled with bubbles and wax.

 

Beth Byrne for the Saponifier

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